Saturday, October 30, 2010

Exclusive Interview with BRYX & Free Mash-Up!

It's been a fortnight since we brought you our last exclusive interview.  So we caught up with another talent emerging in the NuFunk scene -  Canadian born DJ BRYX.  After recovering from the highs of the Shambala festival, the DJ/Producer reveals how he's managing to juggle the decks with making beats...

How did your relationship with music begin? What music did you listen to growing up?

My relationship with music (as a DJ) really started when I was 12 years old.  My brother and I had some Gemini belt-drive turntables.  I ended up with the name Bryx after always stacking Bricks underneath my turntables to raise them higher. Growing up I listened to Hip- Hop / Heavy Metal / Punk. I only started working on making beats recently - bridging my scratching into the production side has been real fun. 

How would you describe your sound?

My own sound can be described as just having fun.  Anytime I'm making something or playing live I'm being me and enjoying the experience! 

*Check out Bryx's Juggle Practice video below* 


Tell us about your latest releases/projects and anything you have coming out soon?

Working on few projects right now, including a project with Busta (Bombstrikes), a remix for Jpod (SwingSetSounds) and working on a new mix, where I'm taking more the 'DJ Yoda' approach to it.....having fun making skits and what not.

Which bands/DJs/Producers do you enjoy the most?

So many talented DJs producers these days, but Mat the Alien (DJing), Ztrip (Business Side) & A Skillz (Production) have been my three main influences over the last few years.

What’s your take on the bootlegging debate?  A shortcut or an art form?

I can see how people will feel like it's a shortcut, but at the same time, if it's a good remix/rerub/mashup/edit/refix/re - whatever u call it and there's no false advertising with it - who gives a fuck?

How do you feel about new developments in production and DJ technology – Ableton, digital vinyl etc?

It's great.  I'm loving Serato, which has definitely changed my style of DJing.   Ableton is awesome for production as well as for DJing.  Both programs are dope.   I'm loving what Jpod is doing with his live shows - all round good things!

How do you feel about being able to reach out to people through the internet – is it changing the music industry for the better? 

It's good.  Everything is evolving for the better, but it also makes music very disposable.  Lots of those hardcore collectors who just hate on DJs who play out a month old song.  At the end of the day, I think it's made it easier for anybody to do what they love for a living.

Anything you'd like to say to members ?

Just a big shout out to my Kootenay Fam !
Some quick-fire questions to finish: 

What’s your favourite sound? 

Tazor Scratch

What’s the last tune/album/podcast you put on your MP3 player?

Nero - Me and You

What is your proudest achievement in life?

Still being alive.

And your biggest regret? 

No regrets.

What do you think about the launch of 

Tres Bien !

Bryx has kindly offered all our lucky members a FREE copy of his Bass Nectar - Basshead mash!  To get your copy, head over to our Member's Vault at the forum. You can't access the vault if you're not a member of, in fact the forum is invisible until you sign in.

Once you sign in, the password for the Vault is in the forum DESCRIPTION. We've spray-painted it out in the picture below, but you get the idea:
And if you're not a member yet, get on it and join the rapidly growing community HERE

Thursday, October 14, 2010

Tom Drummond - Interview and Exclusive Free Track

One of the most consistent producers on the scene, Tom Drummond’s name is a mark of funky quality. With massive releases on Goodgroove and Manmade to name just two, Tom flips classic samples with ease, flair and originality.

He took the time to catch up with, to talk about his transition from punk to funk and the proliferation of new releases we can expect from him in the next few months.

How did your relationship with music begin? What music did you listen to growing up?

I was one of those kids who had a mum and dad that took them to music lessons each week – I played the guitar. I remember getting introduced to popular music when I was about 8 and getting my teacher to show me how to play tunes. I started figuring them out myself soon after.

I was into a whole bunch of stuff starting at cheesy girlie pop when I was 10 (think ‘Real McCoy’). Then I was a bit of a punk, when high school came around I was a Slipknot freak. Finally when I was in my late high school years I literally went from death metal to funk and jazz over the course of a few days.

And how did that develop into DJing and production?

I was big into the whole ‘playing in a band’ thing, then a mate of mine in high school showed me some production software. I remember thinking: “I can do the whole thing myself? Sweet!”. This same guy had turntables and those were the first decks I mixed on.

Is there a ‘Tom Drummond sound’? What are you aiming for in tracks you produce?

I'm a big Mr Scruff fan, I like it how his music always sounds so fresh and that he doesn’t take himself too seriously. So that’s pretty much what I aim for with my stuff; to sound fresh and interesting but still musical and not too hard to listen to. That's what I look for in the records I play when I'm DJing too.

Which bands/DJs/producers do you enjoy the most?

A-Skillz, Featurecast, Mr Scruff, Flow Dynamics, Slynk. These guys are all great DJs as well as producers.

What’s your take on the bootlegging/sampling debate? Is it a short cut or an art form in its own right?

I think it's like how graffiti dudes start out by tagging then move on to murals. Though bootlegging isn’t as destructive and people (like A-Skillz) routinely go back to it. So it's nothing like that really, ha ha.

It depends on the quality of the boot - if someone takes some big song, adds in an extra hi-hat or something then goes and sells it on Juno that’s just ultra lame.

How do you feel about new developments in production and DJ technology – Ableton, digital vinyl etc.?

Ableton is the best thing to happen to electronic dance music in a long time IMO.

As for the digital vinyl thing, it's only logical that everything is going to go digital at some point. As a producer I love having tracks come out on vinyl because it’s a tangible thing that represents the work you put into the track so it’ll be sad when the day arrives when there's no more wax to release on.

Tell us about your latest releases and any upcoming tracks we should listen out for?

I have a house release coming on Lingo Recordings. I also have a few tracks coming up on Bombastic Jam, some collabs with Slynk due out on Manmade and Bombstrikes Records. I've also got a CD release coming out on the Hip-Hop label Cold Busted in the near future as well as a collaboration with JMC coming up on the new label Shanghai Disco.

Some quick-fire questions to finish with:

What’s your favourite sound?


What’s the last tune/album/podcast you put on your MP3 player?

A bunch of old Freestylers/Freskanova jams.

What is your proudest achievement in life?

The fact that I'm not tied down to some boring job thinking that I have to make a whole bunch of money then die.

And your biggest regret?

Not coming to this realisation sooner.

What do you think about the launch of

Great idea. I've got a few of the sample packs that have been uploaded, I'm sure they’ll come in handy.

And finally, can you tell us about the exclusive free track/mix that you are offering our readers?

This is a house type track that I did about 2 years ago (I used to produce lots of house). I think it’s a good crossover type track to go between house and funky breaks, so I thought you guys could get a bit of use from it.

And here it is, in all its glory:

To get your copy of Tom's exclusive track, head over to our Member's Vault at the forum. You can't access the vault if you're not a member of, in fact the forum is invisible until you sign in.

Once you sign in, the password for the Vault is in the forum description. We've spray-painted it out in the picture below, but you get the idea:
And if you're not a member yet, get on it and join the rapidly growing community HERE

Sunday, October 3, 2010

Interview with Chris Awesome & Free EXCLUSIVE Poppa Soul Re-Rub For EVERY member!

With a name like Chris Awesome you'd think there must be a big ego to match. Yet, in this candid interview, the DJ and upper coming Producer confesses to being pants when he first took to the turntables and reveals he's much to learn before he develops his own unique style.  However, his two debut releases made the top 3 in the Junodownload Charts and his future releases are sure to follow suit.  So, if that's not Awesome, what is?

How did your relationship with music start?

The first music I really remember listening to and enjoying was the almighty Status Quo. I was taken to see them live when I was about 11 and  loved how loud the music was - how everybody was united with there love of the same music. After that it was the late 90s chart dance music -  2 unlimited and the like. It's really naff stuff, but it got me hooked on music with a beat!

When did you start Djing?

I started 12 years ago, at the age of 16.   A mate of mine brought his decks round for a party and I was instantly fascinated.  He let me have a go and I was pants.  I brought my own decks soon after and started practicing with Hard House. I didn't really know what I was supposed to be doing or where to buy records or anything like that. I found a store that had a very limited selection of vinyl and brought about 10 Tidy Trax records. That was all the vinyl i would let myself buy untiil I could beat match, which took me AGES to figure out.  After two months and three smashed sets of headphones later, I could beat mix.

When did you start playing NuFunk and how did that come about?

I ditched Hard House once I'd mastered beat mixing and started moving into Funky House. I remember loving how happy the music was, but something still wasn't right, i didnt feel comfortable with the music I was playing. Then I stumbled upon a Fatboy Slim CD, and managed to catch the very end of the Big Beat thang. I'd found my sound, but couldnt find much stuff on vinyl, there were no good record shops near my hometown Peterborough and didn't know any good online stores so found it hard to find music I loved.

A couple of years went by, then one day, I was looking at a new online record store i found and i stumbled across the 12" that changed everything. It was Badboe's Good Groove artist E.P.  I bought up everything i could find by Badboe and Good Groove, I then found Bomb Strikes, Funk Weapons and mashed up funk etc. I started playing the NuFunk in a local bar and it went down a storm. Everyone loved it and really got into it.  I found it had an infectious quality that people just couldn't ignore.  It suddenly became very easy to get a crowd into the music.

When did you start producing and mashing up your own tracks?

Separate from my DJing life, I started to learn to play guitar.  I'd always wanted to be able to play since I was little, but never really got round to it. One day i discovered that a very good friend of mine could play like a ninja, so i started to learn from him. We formed a little studio band and started writing songs. My friend had done some studio recording at college so we started recording our songs on a really simple home set-up. A couple of the projects got really involved and I guess this is where my producing started, but it was a couple of years before I merged the producing we were going with the songs we had written, and the NuFunk that i played out while i was DJing.

My first attempts at producing NuFunk style tracks were in Garage Band. I was skint and had no money for expensive software and Garage Band was just sat on my Mac not being used, so i started to experiment. I swiftly realised that, despite its basic appearance, it's actually quite powerful if you know how to trick it into doing what you want, which i got pretty good at.  I made a couple of amateur sounding tracks, which never saw the light of day, but once I'd learnt from those mistakes I started to find my feet. The first song I was happy with was the You're Not Awesome made entirely in Garage Band, which is out on a Big M vinyl this year, thanks to Mick for all his support!  After that I hit the limitations of Garage Band and moved on to bigger and better packages.

Is there a Chris Awesome sound, and if so how would you describe it?

I don't think there's a 'Chris Awesome sound' in terms of music production yet.  I've only been making tracks for just over a year, so its still a massive learning curve for me. I do hope that one day I'm considered to have a 'style', but i think that takes a very long time to develop. As for DJing however, I'd like to think that I have a certain sound. I try to make my sets as energetic as possible without loosing the crowd to anything too heavy. I think it's a fine line, but something that's extremely important. One wrong move and you can loose a crowd you've spent the last two hours building up. I like to think of my vibe as feel good party tunes, hopefully that comes across.

Tells us about your latest releases and anything you've got coming out soon.

Well, my first release was 'dont say you love me' on Big M, with remixes from the amazing Kid Stretch, my good friend Hayz and the dirty little bass whore - Busta! They're all really strong remixes and helped the E.P no end in getting to number 3 in the Junodownload Breakbeat Chart. It was received really well and I was chuffed to bits to get messages of support from people who were playing it out in there sets.

Following on from that, Mick (Big M) and I started up the Bangers & Mash Up Series Vol.1 one, which offers exactly what it says on the tin - mashed up bangers. That release was also received really well and went to number 2 in the Junodownload Breakbeat Charts. I was made up, but bummed not to get to the number one spot.  However, as Theo my step son tells me: "First the worst, second the best, 3rd the one with the hairy chest!" So I guess 2nd is cool with me :-) I'm working on Volume 2 right now, but it's still early days.

I've recently produced a track called Happy times for the exclusive CD we've lined up to mark the launch of's debut monthly gig - Boogie Boutique. It's an absolute honour to be on that CD with the likes of Badboe, Kid Stretch, Nick Fonkynson, well, everyone on there really, they're all top guys and I'm proud to be associated with them. The CD will be handed out for free at the launch of Boogie Boutique (8th of Oct - Lost Society in Clapham - London) Excuse the shameless plug!

Which bands/DJ Producers do you most enjoy?

Away from the decks, I'm a huge fan of Muse. I've seen them live about five times now and they're simply the best live act going. I saw them at Wembley Stadium a  couple of years ago - it was stunning. I love the grandure and shear enormousness of their music. But back to the world of DJs and NuFunk producers.  I know this is the most boring answer I could give and the most predictable, but it's A-Skillz all the way for me. He is the king of taking samples and beats and out putting something, which is not only technically amazing, but funky as hell. When it comes to making DJ friendly tunes, he's at the top of his game.  When I'm playing one of my long 5 hrs sets I play a little game. If the crowd is being stubborn and not getting up to dance, I select any A-Skillz tune and drop it and 9 times out of 10 it works - people get up and dance. You can't argue with that! Obviously there are loads of DJ/Producers I really admire and respect, but i think Adam 'A-skillz' Mills has a little something extra. I'm sure I'm not the only one who sends love to him and his family at this time.

What is your take on the bootlegging debate?

This always splits peoples opinions, but I think that so long as your changing the proposition of a song, then its fine. Let's say your take a love ballad, and turn it into a dance floor monster, you've completely changed what the original song had to offer. However, if you were to take a song that was designed to be danced to and change it into something else designed to be danced to and then sell and make money from that, I think that's a little bit naughty and you're asking for trouble. However, if you're doing that just for fun and don't sell the tunes, then you're not stepping on anyone's toes.

This all started when DJs wanted to make there own unique dance tunes to play in clubs. But then other DJs want to get hold of these tunes and play them out also. This is where the confusion arises. Is it OK to do this? Like I said, if you change the proposition of the original song then i think it's fine, because you not stepping on anyone's toes. No one is going to say "Hey, shall we buy that new love song by Justin Timberlake for our romantic night in tonight?" "Nah... let's buy the Parker - fucked up warp bass in your face dubstep dance floor monster remix instead"

But that's just my opinion and there seems to be millions of different opinions out there. Either way, I think the law needs to change somehow.

How do you feel about new digital developments in production and DJ technology?

I'm a big fan.  I've just bought myself Serato and god damn it makes my life so much easier! I hate CDJS, so I've been hauling vinyl around the country with me for a while now. I used to use one CDJ to play stuff that was only on digi release, but i didn't enjoy using it. Serato is the best of both worlds. Playing digital tunes through normal vinyl - perfect!

Can you reveal a killer production tip to our readers?

To be honest, I'm still learning myself! But there is one thing I'd recommend. I think it's important to have a catchy hook in your music. The way I test this myself is to play a rough version through loud speakers when my 8 year old step son is playing with cars or lego or something. I leave it on for a little while then turn it off. If he starts humming the song to himself later on, I know its got a hook (this technique also works with wives!).

How do you feel about being able to reach out to people through the internet, is it changing things for the better?

Oh yes, definitely. Especially in a scene this small. On my first E.P for example, Kid Stretch is from Greece and Busta from down under! Without the internet that E.P would never have been what it was. That's partly why we launched We wanted to give people a place to unite and get together to grow the scene. I think the internet has helped us all network and get NuFunk to where it is today - a strong growing music scene.

Some quick fire questions to finish:

What's your favorite sound? Cheering when you drop one of your own tunes, hasn't happened to me very much, but it's a good feeling when it does.

What's the last music you put on your MP3 player?
Hmmmm, I think it was the A-Skillz 09 mix that's on his Soundcloud player.

What is your proudest achievement in life? Getting married to Kelly last year on the one hand and on the other getting signed on Big M.

And your biggest regret? Hmmm, that's deep! I don't think I have any really.

What do you think about I'm very pleased to be a part of something that's doing so much good for our little scene. We've got big things planned for the future so watch this space!

And finally, tell us about this free tune you've offered out to the readers?

It's a re-rub I made a while ago of A-Skillz's Poppa Soul. I've been playing it out for a while now and it always goes down well. So, I hope everyone else can spread the love.

You can buy the original A Skillz version HERE - it's well worth it.

To get your copy of Chris Awesome's exclusive Poppa Soul re-rub, head over to our Member's Vault at the forum. You can't access the vault if you're not a member of, in fact the forum is invisible until you sign in.

Once you sign in, the password for the Vault is in the forum description. We've spray-painted it out in the picture below, but you get the idea:
And if you're not a member yet, get on it and join the rapidly growing community HERE